During the month of November, I pretty much secluded myself away from the writing world. I didn’t read any blogs and I didn’t submit any new stories. I was so busy trying to bust out my NaNo word count every day that I actually forgot I was waiting to hear back from several publications. The month sped by.
This was both a curse and a blessing.
The Curse: I got two rejection letters during the month which were extremely unhelpful discouragement. One was from Cicada–FINALLY! I thought they had lost my submission ages ago–and the other was from New South.** Both were form letters, but one was actually a forwarded rejection which just seemed to increase the impersonal nature of it all [deep sigh of melodramatic depression]
The Blessing: The month went by so fast that I didn’t even have time to count the seconds until I hear back about some contests I entered a while back. I find out about the Tiny Texas House contest as soon as this Friday (cross your fingers!) and about the Writer’s Digest Young Adult Fiction Competition by December 31st. Woohoo!
I didn’t know this until I read this article, but apparently the writing world is split into two camps concerning NaNoWriMo: friends and foes. I think most of the Cons on the Writer’s Relief’s list are rather silly, so I’ve composed my own Pros and Cons list:
- You get a whole book written–with a beginning, middle, and end, and an entire cast of characters.
- You don’t have the luxury to procrastinate and only write and rewrite and then rewrite the beginning again . . . for years.
- You’ll become a better writer, with better writing habits and better discipline.
- Every writing project in the future will seem easy and completely achievable in comparison with NaNoWriMo.
- You’ll have taken so many wrong turns in your novel and reached so many dead ends that, through the process of elimination, you now know what can’t happen in your novel and, therefore, what can.
- Even though your whole book is crap (see below) it’s a lot easier to rewrite and edit when you already have the bare bones of the entire story.
- Your whole book is crap. When you go back to reread the draft, the sentences are horrifying, your descriptions are fluffy instead of visionary, and in general you can never show this book to anyone.
- You are going to have to rewrite the whole book which, for a moment, will make you question whether or not you wasted thirty days of your life doing something unproductive (you didn’t, I swear).
- Because of the attention to word count rather than quality, it is almost certain that your writing won’t improve over the month.
In my opinion, the pros totally outweigh the cons. In fact, the cons aren’t really even cons. They’re more like complaints, complaints that every writer will have some day. Because we all must–and dread–the rewriting stage.
**Personal submission response time for Cicada magazine (see my write up about their submission guidelines etc. here): it ended up being 8 months, 29 days for a rejected poem; in the past, I only had to wait 27 days for a personal rejection to a short story. Obviously, it ranges . . . What’s the longest you’ve ever had to wait to hear back from a publication?
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